Vogue 2003-04
Culture Club
An American resident in Beijing has restored one of the city's beautiful but rapidly disappearing traditional courtyard homes and transformed it into a fashionable boutique hotel. Unique pieces from the early Chinese Communist era fill the interiors.
In Beijing's hutong, history is a relative term. These traditional neighbourhoods of labyrinthine lanes flanked by single-story courtyard houses form the skeleton of old Beijing. But it's a skeleton that's crumbling as the hutong disappear, razed to make way for new developments on valuable inner-city land.
There's been more destruction of heritage architecture in the past 10 years
of development than in the decade of the Cultural Revolution, says
Laurence Brahm, an expatriate American who's lived in China on
and off for more than two decades.
A desire to preserve this vanishing history set Brahm former
lawer, entrepreneur, artist and author of more than 20 books on
China in his path to restoring a number of courtyard houses. I
was living in a courtyard from 1990 and fell in love with the
architecture. The traditional design of courtyard houses hardly
changed from the Han dynasty (206BC-220AD). Harmony and order
were the key, so the layout was almost symmetrical. A typical
house had an inner and outer courtyard, with living and sleeping
quarters, separated by a reception hall. The magic of Beijing
is the courtyarda sanctuary of peace, of symmetry or order,"
says Brahm. It's the expression of the Chinese socio-psychology."
Brahm's project resulted in the Red Capital Club, a restaurant
and bar in Beijing's heritage Dongsi area, and the Red Capital
Residence a few lanes away. The Residence is a boutique guesthouse
with modern hotel staples such as the Internet and cable television.
There are five suites: the Chairman's Suite, Brahm's re-creation
of the way Chairman Mao lived; two Author's suites, dedicated
to Chinese author Han Suyin and American journalist Edgar Snow;
and two Concubines' suites. Quirky touches include female staff
in Red Guards' uniforms and goldfish in bowls in the Author's
suites. We don't want guests to be lonely, jokes Brahm.
Mao chic is how Brahm describes the door of the courtyard houses,
a look devoted to the Communist Party, the early days of the People's
Republic and the Cultural Revolution. Restoration has preserved
original architectural features, such as tiles from the 1911-1941
Republican period. Furniture in the Residence ranges from antique
carved wooden beds to a chair procured from the Central Government
Meeting Room. The red telephones in the hotel rooms would, in
the 1960s, have been found only in offices of state leaders. In
the Chairman's Divan (the cigar lounge), four chairs were obtained
from the Central Government Office were used in the 1950s for
discussions among military leaders.
Many pieces were gifts, while others were purchased and restored. They were originally for Grahm's home the first of the three courtyard houses he restore but were later moved to the Club and Residence. There were surprises too. When crafsmen were restoring a caved wooden bed, now in a Concubine Suite, they realised it was teak. As teak was used only up to the Qing dynasty (1644-1911), it meant the bed was much older than first thought.
Cultural Revolution-era statuary features in every room. During that period, the Red Guards took over China's kilns to produce millions of statuettes of a benevolent Mao and his happy workers.
The Red Capital is a word-of-mouth success. You'd never go there
unless you knew someone who had been there, says Brahm. The Residence
welcomes more and more return guests, while the Club is equally
popular with well0heeled Chinese, expat residents and foreigners
in the know.
Sally Webb
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